Tip 1: Miss your eyes and you miss the shot. Recovering eyes in the foreground is the key to capture a photo of a pet. It is human nature to look to the eyes. And 'the way in which to determine the emotion and the way they are in contact. When I was in Homer, Alaska, I came across a moose on the move. Since it was early morning and the light was low, I always knew that a quick shutter speed to freeze his movement would be difficult, so I quickly adjusted my camera to focus lock on the eyes, and took the shot .Most of the images was a bit 'fuzzy, but because the eyes are focused on where you saved the shot.

Tip 2: Use a telephoto lens. Near the action, but remain at a safe distance, is the key to photograph wildlife. Keep a distance to allow the animals in their comfort zone and are more natural behavior preserved. Security is also a factor when photographing in nature. Always keep at least 100 meters away fromThe animals, for your safety and the welfare of animals. Another good use of a telephoto lens is a trick that not many know that is very useful when photographing animals in the zoo that are behind fences. If you) continue to move near the fence (at a safe distance and use of at least 100mm of your telephoto lens, which may be behind the fence, with a great opening, "blur", the fence and shoot a photograph of the object without cable! Now there are some exceptions, such asIf the fence is black drag many more possibilities to have them turned off. Regular chain fence is gray and semi-reflective, which can cause glare in the sun and is often concentrated too bright to off. I'm also looking for some success in different angles, so experiment for your best results. I often shoot with a Canon 100-400mm IS USM and Canon 28-300mm IS USM. If you're new telephoto lenses, are on a budget and not sure what I suggestTamron AF 28-300mm or Sigma 70-300mm. I also had good results with the Sigma 50-500, which is written like this, I think is the best bang for the buck. These lenses all work with the teleconverter 1.4 x 2.0 x so you can easily extend to hand more often, while maintaining auto focus (with Canon lenses L, the minimum opening 4.0 or less will automatically focus support. Above that a manual focus is the only option.)

Tip 3:Use a large aperture. Learn the impact of the adjustment of the camera shutter will go a long way to improve your photos, go especially in high-shooting style. In a picture I shot an elk grazing in Yellowstone, I chose a large aperture to blur, a potentially busy background and instead of bringing attention to the theme. As you learn to control your camera, you will also find that adjusting your aperture have a direct impact on your speed. These are provingEspecially useful for inclusion in the early morning and late evening, when the animals are usually the most active and the light is warm and soft.

Tip 4: Adjust the shutter speed to stop / show the action. If animals are on the run, you must quickly decide on the nature of the host to meet you. If you want to stop the action, you have to shoot at 1 / 500 or faster and depending on the light, which can be difficult. One option, if you shootdigital, that is until you see the ISO setting the sensor more sensitive to light and make the necessary push shutter speed. Well, if you give the impression of movement for the image, try to shoot with a shutter speed of 1 / 4 to 1 / 8 and pan the camera to the animal. Pan constant and remember to keep your eyes focused, if you can! For best results, choose backgrounds, are clear and simple, as has been the subject of standout in the picture.

Tip 5: Use a flash to fill shadows. It may seem strange, but it really makes an external flash on a sunny day makes little sense. In this situation you do not use the flash to illuminate the problem of how close is a darker, but shadow and detail where harsh shadows would otherwise be the case, heavy and dark. It 'important, such as Flash and from there a couple of other tips in mind: If the animal blinksafraid of them, and there are moments where the coverage only through a glass - with a lightning bolt behind glass will ruin the recording. The glass reflects the light back into the camera and should not be surprised if all this is what you get, a big white screen!
Tip 6: Plan for the best light. There's nothing like a soft matte days, they also offer light for wildlife photography. Clouds act as a giant diffuser to the sun, spreading the light evenly and taking away harsh shadowsThat are created by a bright sunny day. Of course, a cloudy day has its challenges as well as reduced light, which will force you to adjust ISO and shutter speed to stop action and crisp images in focus.

Tip 7: Composition - Framing your shots. Some simple tips design can do much to improve the image, and for those who are computer experts, a little trick called cropping (software technique to cut a photo)to improve the composition, made at the time was not quite the image. The best way to think about the size, the image of tic-tac-toe grid in the viewfinder of a camera (I have some new cameras that can use this function as a switch to have seen it) and use this scan Organize your records . There is no fixed rule, but the general theory behind good composition is that the reason lies in one of the viewfinder grid. The creation of lead shot in the eye, is also agood example of composition.

Tip 8: Shoot with both eyes. This is a suggestion that I use here, but often have a difficult time to remember. I can not say how many shots I missed because I do not see the next action. Since both eyes open you will see the problem in the viewfinder and see what happens would happen.

Tip 9: Expect behavior. This suggestion is, even with the tip 8,Shooting with both eyes, because this behavior is often the key to capture a rare moment, action and unique situations. Panning the camera to follow an animal to a stress process, as I have often observed the behavior of animals based on a model for the study and then later with a shot low, and a little 'luck, we hope to capture that moment perfect.

Tip 10: Use a tripod. Use a tripod, is one of the best things you can do to improve yourPhotography and wildlife is no different. By mounting the camera on a tripod to reduce camera shake, which is usually the cause of blurry images. Take a further step, I use a cable shutter release, which is the need to touch the camera removed, while taking shots away, and therefore almost all potential camera shake.

Bonus Tip: Shoot. Shoot. Shoot. This suggestion is a breeze for those of us who shoot digital. Shooting digital is cheap- Technology advances so quickly that, as this book written in a 4-gigabyte memory card for less than $ 100 and you can get a lot of photos on a memory card 4 gigabytes. The end result of this suggestion is shooting .... lots of photos. Do not be shy. I often take pictures several times the same scene or subject and then select the best from the group. This is also a good way to learn, to try to move the camera between shots and see the results of various settings of yourCamera. And do not sweat the details of trying to remember the settings for picture ... Another great thing about digital images is a bit 'EXIF (Exchangeable Image File Format was called). EXIF data is written for each picture so that after testing, you can use all the camera settings to see the image.

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