Produced by Moana Producciones (august 2009) Shooted in HD with Canon 5DmkII. Lenses: Canon 35 F1.4, Canon 50 F1.4, Canon 135F2 Producer: Alejandro M. Montalvo Director: Gregorio A. Sebastian
http://www.youtube.com/watch?v=yaWpyl9Uue4&hl=en
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For relatively new photographers and digital slr owners it can be confusing when it comes to upgrading your kit lens. There are so many different lenses on the market covering a vast number of focal ranges and apertures that it can be very confusing to work out exactly which one you need.
This article will talk about what kind of things you should consider and will point you in the direction of one option that is little discussed about but has long been proved to be one of the best lenses out there as well as one of the cheapest!
You have so many decisions to make when trying to decide which lens to spend you money on. In my opinion the main thing you should look for in a lens is a wide aperture (or a low f number). A wide aperture give your two main benefits: firstly it lets a lot of light into the camera allowing you to take great shots in low light conditions without having to use the flash and secondly it lets you shoot with a cery shallow depth of field. A shallow depth of field lets you blur out backgrounds making close up or portrait shots stand out more and seem sharper.
Personally I feel that too many people place too much emphasis on aesthetics and certainly too much on zoom. After all why buy a lens with a huge zoom when you can zoom with your feet. OK some specialist photographers require a zoom (say for photographing tigers) however I would much rather get a higher quality lens with less zoom than the other way round.
In my opinion the best bet for a kit lens upgrade is the Canon 50mm f1.8. It is the cheapest lens Canon sell, the worst built, the lightest, the noisiest to focus but the optics inside produce absolutely stunning results.
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If you're trying to become a professional photographer you might want to ditch the old camera and buy yourself a brand new SLR. Don't worry about choosing the wrong camera because below you'll find a great set of instructions that you'll find very useful while shopping.
SLR stands for single-lens reflex and if you're ready to make the big step toward it a 35mm will help you along the way. This is the best camera format for high-quality images and it's way better than wide-angle lenses, macro lenses or even zoom lenses.
On the other hand, a SLR camera is pretty expensive (almost $5,000) not to mention the rest of its accessories. Why is that? Because it simply offers the best control over the image. The technology behind SLRs uses regular 35mm films: black and white films, infrared films, transparency films and color negative films but you can also find a few models that still use 24mm Advanced Photo System films.
Autofocus vs. Manual Focus
Before buying a SLR you should decide if you want manual or auto focus (AF or MF). If you want AF you should know a few important details about these cameras:
- the electronics can let you down when you need them the most;
- the battery consumption is very high;
- the AF lenses can be pretty difficult to focus by hand especially when you want to switch to manual focus;
- the image provided by AF cameras is not exactly what you'd hoped for and that's mainly because of the limited range of their infrared beams;
- the autofocus is not very silent compared to the manual focus;
- the AF lenses are very often surrounded by plastic components that are not as durable as you may think.
If you use a manual focus you'll see that you'll be the one setting the focus, the shutter and the aperture and for most photographers that's simply great.
A few great manufacturers like Nikon, Pentax and Olympus use few electronics when making a manual focus SLR and this will help you better understand how all this works. Last but not least, a manual camera is considerably cheaper than an autofocus one.
To sum up all the above it's very important for you to know exactly what type of focus you want to use because otherwise you'll be spending a lot of money on a camera that won't be able to make the pictures you want.
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Thousands of camera buyers buying their first SLR can't be wrong right? If voting with your dollars counts, then I reckon the Canon Rebel XSi would be the best SLR entry level camera on the market today. Some may disagree, and quibble over which Canon Rebel should be the winner (the T1i is a contender), but it's really a matter of how deep is your pocket book.
Single lens reflex (digital single lens reflex) cameras provide many rewards over traditional point and shoot cameras, not the least of which is the power to use various lenses. Numerous photographers world wide pick single lens reflex cameras for the creativity multiple lenses offer. Those enthusiasts that won't use a DSLR camera end up staring at a skewed representation of their impending photograph. It's not so bad, if you ignore the zoom option, but things could be tougher if you try to zoom a picture and are having issues with focal length. The single lens reflex is best because the viewing and picture taking lens are in synch.
While DSLR purists may be staging a revolt, the conclusion by most camera manufacturers including Pentax and Fuji to allow consumers to use the LCD or viewfinder to shape their scenes is a great thing.The first step in Live View, is to utilise an additional supplemental sensor to apply the image being delivered from the prism mirror. That supplementary sensor image, will commence to buffer and send the perspective photograph to the view screen. While live view has been a hot item, it often meant forgoing autofocus which was unfortunate. The the newer Canon Rebel has made some inroads towards compensating for this.
DSLR Camera Types
DSLR With Interchangeable-lens
When the best SLR entry camera is cited, it's this type that most individuals would associate with. For this article, these are the ones we will be hashing out here. Like most professional DSLR cameras the type of lens you can choose, is entirely up to you. Whatever the photographic surroundings needs can be accommodated with a digital single lens reflex camera that allows for a variety of lenses.
Any of the Canon Rebel cameras, as well as the Nikon D40, D60, and D90 grace this category.
Do DSLR Cameras Come With Non Changeable Lenses?
If you wanted the features of a SLR without the scuffle of lugging a truck load of lenses, you have some selections. While this single lens reflex camera type would have been popular a few years ago, tech has moved ahead, and they have become virtually non existent.
Given the competitive nature of the best SLR entry level camera market, I've found the price and choice I want by shopping on the web. Small local camera boutiques simply can't compete with their high overhead and small makes and selection.
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This is a video sample of my brand new canon eos 5d mkII. I'm uploading it to help the ebay seller and Canon to see the MANUFACTURE DEFECT of this particular sample. Various lenses used. The dead pixel is more evident in dimm/low light. This video will be removed once Canon repairs my camera. I'ts still under warranty. Thanks for watching.
http://www.youtube.com/watch?v=0S2bl-CgMMM&hl=en
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Simply put depth of field (DOF) is how much of the photograph in front of and behind the main subject that is in focus. This however is not an even distribution. The range is approximately 1/3 in front of the main subject and 2/3 behind it.
To maximize your DOF do not focus right on your main subject. Focus 1/3 of the distance into the scene with the lens aperture set to the smallest possible. The part most people have difficulty with is how do you change the depth of field and why would you want to?
So let us find out.
The DOF can be shallow, with the main subject in sharp focus and the foreground and background out of focus. It can also be deep, with the foreground, the main subject and the background all in focus.
The three main factors to determine DOF are:
The focal length of the lens
The distance from the camera to the subject
The aperture or f-stop of the lens
How to change the DOF.
1. By changing the focal length.
A lens with a long focal length, such as a telephoto lens has an angle of view that is narrower than a lens with a shorter focal length. This results in a shallower DOF.
A lens with a short focal length, such as a wide-angle lens means a greater DOF. These shorter lenses have a greater angle of view, which results in the increase to the DOF.
2. Change the distance from the camera to the subject.
You can achieve the same result by moving the camera. The closer to the subject it is the shallower the DOF and the farther away the deeper the DOF.
3. By changing the aperture.
Changing the aperture (also referred to as the f-stop) will also change the DOF. A larger f-stop means a smaller aperture, which results in a larger DOF and a smaller f-stop will result in a larger aperture and shallower DOF.
Keep in mind that when you change the aperture you will also need to change the shutter speed.
When the f-stop is increased, decreasing the amount of light reaching the sensor, you will need to increase the time the sensor stays energized to compensate.
If you do not slow the shutter speed down the image may be too dark.
This may seem a little involved if you are just getting started but do not worry. Check your cameras manual for the semi-automatic settings.
If you chose the aperture priority (AP) setting, sometimes referred to as aperture value (AV) and select the f-stop you wish to use, the camera will automatically set the shutter speed for you.
When a slower shutter speed is selected be sure to use a tripod in order to prevent camera shake.
Why change the DOF.
There are times when you want the whole frame to be in focus such as a landscape shot. In this case set a large f-stop, for example f-22. This will close down the aperture and result in a greater DOF.
At other times you will want to keep only the main subject in focus. For example when photographing a small bird you want to keep all the attention on the main subject and not the surroundings. For this example set a small f-stop, f-2.8 which will open up the aperture and result in a shallow DOF.
To summarize. You should now have a pretty good understanding of depth of field.
For a greater DOF use a wider-angle lens and larger f-stop, or you could position the camera farther away from the subject. You can also use a combination of these two methods.
If you want a shallower DOF, then use a longer focal length lens and smaller f-stop, or position the camera closer to the subject.
Once again you could also use both of these methods in combination.
Play with the settings on your camera to see these results with your own photography. Just keep in mind, no matter what type of lens you are using, the larger the f-stop, the smaller the aperture, which results in a greater depth of field.
The inverse is also true. The smaller the f-stop, the larger the aperture is, which results in a shallower DOF.
There is no better way to understand what to do than by actually doing it.
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Let us look at the few steps that would help us to have a good portfolio site.
Logo
The visitor sees the first thing that is the logo. Normally we start reading from left and continues from top to bottom, so it is advisable that you put the logo on top left of the website, hence visitors can easily identify the website. Always link the logo to the home page.
Tagline
Now the visitors know who the owner of the website is, now they would want to know what your services are. You explain this with the tagline. The tagline should be snappy and short, and should summarize in short what you do.
Portfolio
As this is your personal photography portfolio website, therefore your portfolio would decide whether your website is appealing or not. Visitors would want to see the previous work to determine whether your work is interesting or not, what work you have done in past. Depending on the kind of work you do, the portfolio must have good quality images which should be accessible to the users. You should have a short description for each and every project you have done.
It is a good idea to have a testimonial from your client. Visitors are always keen to know about the stages of your project and the final outcome.
Services
So the tagline has summarized what you do. But now you have to give detail about your each and every services and products that is offered. Do not leave them speculating that whether you provide particular services or you do not. Thus make each and every thing clear and in detail.
About me
This website belongs to you; you can share the background, since how long you are in this business. Also do not be anxious of showing the recognition and awards.
Contact
This is the main element of the portfolio website, most of the times it is often neglected or hidden. Let the visitors know how they can contact you. Do not hide the information.
Blog
Blog is a good idea. It helps in promoting you. Let the people follow by subscribing to the RSS feed and you can show the popular posts to your new readers.
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Music Video Directed Filmed and Edited by Chloë Mourant and John FIsher. Camera: Canon 7D. 720p 50fps & 1080p 24fps Lenses: Canon EF 50mm 1:1.4 & EFS 18-135mm 1:3.5-5.6 Location: Mumbles Pier, South Wales Song: Daniel James- Comfortable Cage For Links to Other work see the Following: vimeo.com www.youtube.com www.progressivemediaonline.blogspot.com chloemourant@hotmail.co.uk fisherjohn@hotmail.co.uk Daniel James: www.myspace.com
http://www.youtube.com/watch?v=0BYmEoNguwc&hl=en
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Many people looking to buy a second lens for their digital SLR camera are baffled by the number of lenses available. There are so many to choose from, it's easy to be overwhelmed by the choices. Check out these 5 top SLR camera lenses and discover why people love them so much.
1. Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens
The key to this lens is the image stabilization. The stabilization allows more photo ops without having to use a tripod. This makes for more crystal clear photos at Johnny's soccer game, or capturing a flock of birds at take-off. Image stabilization is an absolute must on a hand-held zoom telephoto lens.
2. Canon EF 50mm f/1.8 II Camera Lens
For people looking for a fixed focal length, this lens is lightweight and affordable. The images are sharp with great color balance. It's great for portraits and it focuses as close as 18 inches, so you gardeners will find this lens very useful. Most people who use this lens can't stop talking about the picture quality.
3. Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Zoom Nikkor Lens
This Nikkor telephoto zoom len also has image stabilization which they call Vibration Reduction. It's the Nikon version of the Canon listed above. The lens is ideal for sports, action, wildlife, and travel when you want a telephoto lens. The fans of this lens love it for capturing sports and action.
4. Nikon 50mm f/1.8D AF Nikkor Lens
Like the 50mm Canon lens above, this lens has a fixed focal length. But the quality of the pictures outweighs the fact that you need to move your feet around alot to get the shot. It's really versatile and should be in everyone's camera bag. Fans of this lens say it works great in low light situations both indoors and out.
5. Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Zoom Nikkor Lens
This Nikkor telephoto zoom lens is great for professional or advanced amateur photographers. It helps you capture close-up sports shots and national park wildlife without standing right next to your subject. The Vibration Reductions extends the use of the camera to capture more shots while hand held. Like the telephoto lenses above, the lens is slower than a professional zoom, so it's not a good choice for action photography in lower light conditions (like indoor sports without flash or outside sports at dusk).
Now obviously, these SLR camera lenses are only suitable for Canon and Nikon camera fans. But take this information and find a lens that works with your camera. You'll explore an exciting new area of photography and take your hobby or profession to a whole new level.
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This is just a shoot of the moon in HD while going through various lenses and camera settings. If your not into photography and especially the technically details I wouldn't watch this video. Rating = G
http://www.youtube.com/watch?v=EUD222prnUs&hl=en
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For some time now I've been looking for the best small digital camera. I wanted a point and shoot, to carry around when I don't have the Nikon D80 with me. I wanted something small, with image stabilization, optical zoom, plus very good shutter speed.
In the end, after all the research I've done I decided to go either with the Canon SD 870, 850 IS or the G9. They all take very good photos, crispy and light, with a good IS. You can even zoom in and the images will still be sharp. If you take those photos at ISO 400, they will end up with less noise or the same noise as a D80.
The cameras I just mentioned are small and quite good. The Canon 870IS is a small camera, which can fit easily in the pocket. The 850 was a present I made to some relatives of mine during the holidays and they are extremely satisfied with the photos it takes. As for G9, it's a camera that can shoot videos as well, and it's one of my favorites so far.
The prices of the cameras I mentioned so far:
Canon Powershot G9: $500, with an optical zoom of 6x and 12.1 megapixels
Canon Powershot SD870IS, that has 8 megapixels, a 3.8x optical zoom, at a price of $624
Canon Powershot SD950IS, priced at $400, with a 12.1 megapixel resolution and 3.7 optical zoom
Canon Powershot SD 850 IS, at $300, with 4x zoom and 8 megapixels
Another digital camera that was suggested to me was the Olympus SP-570UZ. After looking around for a bit, I think it's a camera that can be carried easily when you want to take a photo without carrying a DSLR with you. The camera has a good sensor, very good zoom, image stabilization and a large aperture. The price is also OK, at a price around $400 - 500. This version is the third that was launched in this series.
The storage of the Olympus SP-570UZ can be done on xD cards, which you need to buy separately. The camera also ships with editing software, which is called Olympus Master 2. I especially like the 20x optical dual image zoom. The 10 megapixel resolution makes sure that you can print photos at a 18 x 24 inch size.
Some of the technologies that come with the camera are dual image stabilization, face detection, perfect shot preview and shadow adjustment technology.
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Original video here: www.youtube.com A Canon 7D film edited with: 1. Stabilization. 2. Slow motion during fire/sparks sequence. This was shot when the restaurant was open with only a Canon 7D, no extra microphones, no extra lighting. The Sandy Butler is a restaurant located near Fort Myers Beach, Florida. It's located just a mile or so before the bridge --- and you can't miss it --- the iconic butler symbol is unmistakable. I personally recommend their sea bass. Special thanks to Jason, Jamie, and Tony for having me at the restaurant. Filming there was a blast! For information on the Sandy Butler, visit www.sandybutler.com For more information about this particular film, techniques used and lenses, visit www.camera7d.com.
http://www.youtube.com/watch?v=69U6TbKqPlE&hl=en
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More and more it seems that bird-watching is becoming popular with segments of society I would not expect to take interest in it. Certainly photographers of all walks of life are picking up their cameras and snapping beautiful shots of birds in flight, or pecking at seeds. Come winter, I know some of us will be avidly searching for cardinals in the snow! It's really quite simple to photograph birds. Read on for some tips from the experts.
Cameras and Lenses
When photographing wildlife in general, you will be far enough away from your subject that you will want a telephoto lens to get any kind of detailed close-up - see my article on zoom lenses for more information. You also want to be able to pan your camera as it moves across the sky, so either use a tripod that allows you easy movement, or be comfortable hand-holding your lens such that camera shake is minimized. A 300mm or 400mm lens is ideal, especially it if has rapid autofocus that works well with your cameras continuous autofocus (a.k.a. Servo mode for Canon cameras).
Technique
Experts agree that any wildlife photo looks best when the eyes (at a minimum) are in focus. To that end, set your auto focusing point to the centre one since that generally results in the fastest focusing job. Also, if you're using manual mode, set your aperture to its maximum (f/4, say), and meter off a neutral shade (the sky, perhaps) to close with an appropriate shutter speed. Try to work it such that your shutter speed is at least 1/1000 second so that the entire bird is in sharp focus.
When the bird enters the viewfinder's frame, start moving your camera with the bird and engage your autofocus on its head as best you can. Continuous shooting grants you the best chance of getting a keeper, since at least one of the shots will likely turn out well.
Tips for getting started
+ Larger birds are easier to shoot than smaller birds, so if you can, start with the big ones - you have a better chance of capturing them in motion since they move slower and are easier to capture in a panning motion
+ Avoid busy background that detract from detailed feathers - aim for simple backgrounds, or use a long lens to blur the background (small f/stop for narrow depth of field)
+ Focus on the head (especially the eyes) of the bird, if at all possible
+ Overcast days yield better detail in feathers than direct sunlight
+ Keep your eye in the viewfinder and your finger on the shutter release so you don't miss a shot!
+ Consider placing some bird food in a secluded spot, and then pre-focus your camera where you expect your bird friends to eat (you'll have to research what food they like to eat)
+ Keep your hands off the food as much as possible to prevent your scent from deterring the wildlife from approaching - avoid wearing perfume or cologne
Canon 35mm cameras come in different types of models. If you are planning to buy a camera then here is a brief history of the Canon 35mm cameras and their fundamental functions.
Canon EF 35mm Single Lens reflex (SLR): This manually focused 35mm single lens reflex camera was manufactured by the Canon Company in the 1970s. This camera was well-suited with the Canon FD mount lenses. This camera was designed and built in the fashion of an electronic version of the brand's top line F-1 camera. This is the reason why EF shares the same rugged outward appearance and hard metal exterior like the F-1.
The Canon camera 35mm was known to contain a silicon photocell light meter which was used to measure light in a central emphasis. With this camera, you could easily operate the Variable Aperture (AP) mode or full manual mode. This allows the photographer to control both the speed of the shutter as well as the aperture. When it is used in the automatic mode, the photographer can lock the present aperture value, and then recompose the image if required.
The Canon 35mm camera EF type could also be used with the older R-mount and FL-mount camera lenses. The EF model used a very unique shutter that makes it stand apart from the Canon camera 35mm SLRs. It utilized a copal square vertical travel blade with a focal plane shutter. This helped to control the long exposure electronically. The shorter exposures were controlled in a mechanical way. This helped in conserving the battery power and allowed people to shoot pictures even with the dead batteries.
The features of EF canon camera 35mm also include a self-timer and stop-down metering mode. In order to get better results, it is recommended that you use the stop-down metering mode with the older Canon FL lenses. The mirror can also be locked up for long exposures in order to avoid the camera shake.
You can easily purchase Canon camera 35mm online from the several photography stores that offer the product on sale. You can also compare the prices in different websites before making your purchase. Alternatively, you can visit any of the land-run photography stores where you can feel and see the product before paying for it.
I once heard a quote from Henry David Thoreau that "The question is not about what you look at, but what you see." All photographers depend on a number of variables to play a part in their own creative vision. Shutter speeds, f.stops, choice of lens, where you choose to be to take your photograph, the light, sometimes combined with the time of day and many more components. All of these components are important, but you as an artist will concentrate on only the aspects that are important to you. Having said that, it is important to be aware of the other variables because they all come into play at some time.
How interesting to the viewer your images are depends on how you treat and react to these components. Two photographers at the same scene will respond differently to what they see. They will not have the same emphasis on aspects of the scene. You're the one who chooses the correct lens for this particular job. You're the one who chooses the exposure and the depth of field. You're the one who determines what parts of the scene need emphasis. And finally it is you that presses the shutter at your optimum moment.
Some of these choices occur spontaneously. We don't think about them because we have done it so many times before. To create pictures that are a little bit more than just competent snaps we need to look and analyse more. Look at the subject and think about all of the variables.
It doesn't matter where you are there will be the potential for a good image. You have to look for it, and relating the variable aspects that we have discussed to the subject will help you to come up with something different. If you start seeing in a more creative manner you will come up with the goods more often than not. Remember -
"The question is not what you look at, but what you see."
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